Richard Hunter invites us to be a fly on the wall in his anthology of human regret and moral decay, Foul Evil Deeds. Framed with a theater-style introduction, the film presents a series of seemingly ordinary people caught in unfortunate, thoughtless, or outright disturbing situations. While the concept is intriguing, the stylized approach strips away some of the emotional depth that could have made these stories more impactful.
At times, Foul Evil Deeds left me wondering if I’d ever see certain characters again. The film lingers in British middle-class exploitation, introducing a cast of troubled figures: a group of reckless young men, an elderly couple struggling with a sexless marriage and a mysterious smell, a father whose mistake threatens to unravel his entire family, a bitter janitor, and a man hiding something far more sinister than the others. Each segment offers just enough mystery and intrigue to hold attention, highlighting the universality of human flaws. We all make mistakes—what separates us from monsters is how we choose to deal with them.
I wanted to enjoy Foul Evil Deeds more, but it overstayed its welcome, stretching its premise past its most effective moments. From the start, it was clear that this wasn’t a traditional horror film but rather a carnal, psychological study of ordinary people making choices that expose their darkest sides. There’s an undeniable duality to human nature, showing how even the most flawed individuals can be loved and loathed in equal measure. In the spirit of Roald Dahl’s Tales of the Unexpected, Foul Evil Deeds reminds us that true horror isn’t supernatural—it’s the flaws, impulses, and regrets lurking within us all. The real question is: Can you withstand the terrible person you know lives inside of you? Only time—or a certain deed—will tell.
Rating: 2.5/5
Director: Richard Hunter
Screenwriter: Richard Hunter
Producer: Federica Schiavello, Richard Hunter, Jerome Danvers
Cast: Tracy Bargate, James Benson, Alex Perkins, Song-Hung Chang, Neil Summerville, Richard Kiess
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