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The Final Cut Podcast
Horror Movies Uncut
Horror Movies Uncut is the eyes and ears of the Indie horror culture! Our goal is to forever bring awareness the macabre that exist below the mainstream!
Welcome to Derry Episode 5 Recap: Neibolt Street Finally Unleashes the Lore
Episode 5 takes us deeper into Derry’s mythology as Neibolt Street, Pennywise’s identity, and military tensions finally erupt.
First Look at The Dark Domain: Mickey-vs-Winnie — Public-Domain Icons Turned Blood-Soaked Monsters
Public-domain icons become brutal monsters in the first teaser for The Dark Domain: Mickey-vs-Winnie, a grindhouse showdown set for 2026.
Glen Powell Leads A24’s Renamed Thriller How to Make a Killing, Hitting Theaters February 20, 2026
A24 retitles Glen Powell’s thriller Huntington to How to Make a Killing, arriving in theaters February 20, 2026.
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Tallinn Review: China Sea Delivers a Bleak, Kickboxing-Fueled Crime Drama
A bruised kickboxer torn between two worlds fights guilt, violence, and buried loyalties in China Sea, a gripping Baltic–Taiwanese crime drama.
5 days ago3 min read
Review: Keeper (2025) – Tatiana Maslany Carries Osgood Perkins’ Latest Vision of Dread
Tatiana Maslany carries Osgood Perkins’ Keeper, a stylish but uneven folkloric horror dripping with atmosphere and dread.
Nov 132 min read
REVIEW: Playdate (2025)
Alan Ritchson and Kevin James collide in a chaotic suburban action-comedy full of TikTok energy, kid mayhem, and dad-mode brawls.
Nov 122 min read
SLIFF 2025 Review: “Tow” – Rose Byrne Leads a Gritty, Human Story of Survival and Systemic Struggle
At SLIFF 2025, Tow delivers a raw, empathetic look at survival and systemic injustice, anchored by Rose Byrne’s best work in years.
Nov 82 min read
REVIEW: Predator: Badlands – The Hunt Evolves Again, and It’s One of the Best Sci-Fi Films of the Year
Predator: Badlands proves the hunt’s not over — a fierce, cinematic return from Dan Trachtenberg. In theaters Nov. 22 via 20th Century Studios.
Nov 64 min read
“ZombieCon: Volume 1” — Low-Budget Mayhem Meets Cosplay Chaos- Review
An indie zombie comedy made by fans for fans, ZombieCon: Volume 1 mixes cosplay chaos, mystical mayhem, and DIY heart.
Oct 303 min read
REVIEW: The Workout (2025) — James Cullen Bressack’s Found-Footage Fury
James Cullen Bressack’s The Workout delivers a fierce indie action experience, blending POV realism, raw emotion, and relentless intensity.
Oct 282 min read
Final Screening Review: Killjoy (2000)
Full Moon’s Killjoy (2000) is a chaotic, hilarious, and oddly historic slice of urban horror that refuses to die — even after six sequels.
Oct 273 min read
Final Screening Review: Gravestoned (2009) — When “So Bad It’s Good” Digs Up a Whole New Level
Michael McWillie’s Gravestoned is the kind of so-bad-it’s-good stoner horror that only true DIY madness could make.
Oct 212 min read
Letitia Wright’s Highway to the Moon Turns Grief into Art in Her Directorial Debut
Letitia Wright’s Highway to the Moon is a poetic and powerful look at youth, grief, and resilience — a stunning directorial debut.
Oct 202 min read
Final Screening Review : Strange Behavior (1981)
We revisit Michael Laughlin’s Strange Behavior (1981), a cult sci-fi slasher full of paranoia, needle-to-the-eye shocks, and Halloween mayhem.
Oct 182 min read
Vancouver Horror Show 2025 Review: Monster Medicine
Monster Medicine delivers a supernatural ER twist at Vancouver Horror Show 2025, mixing medical drama with werewolves and ghouls.
Oct 182 min read
Asian Horror Spotlight: House of Sayuri (2024) — A Haunting Return to Form for Koji Shiraishi
Koji Shiraishi’s House of Sayuri twists traditional J-horror into a violent, emotionally charged descent into family terror and supernatural revenge.
Oct 162 min read
Final Screening Review: The Final Cut (2004) — Robin Williams Edits the Memories of the Dead
Robin Williams delivers a chilling turn in Omar Naim’s The Final Cut, a forgotten sci-fi thriller about memory, morality, and manipulation.
Oct 163 min read
Final Screening Review: The Fog (2005) — When PG-13 Horror Rolls In
Rupert Wainwright’s The Fog (2005) replaces John Carpenter’s haunting atmosphere with glossy PG-13 scares and early-2000s melodrama.
Oct 142 min read
Final Screening Review: Zombie Nightmare (1987)
A jacked zombie seeks revenge in this offbeat 1987 horror oddity where vengeance comes swinging, not biting.
Oct 132 min read
Grimmfest 2025 Review: Weekend at the End of the World
Weekend at the End of the World blends heart, humor, and supernatural madness into one of the most enjoyable films of Grimmfest 2025.
Oct 122 min read
Grimmfest 2025 Review: Frankie, Maniac Woman — Pierre Tsigaridis and Dina Silva Deliver Blood and Chaos
Frankie, Maniac Woman expands on Pierre Tsigaridis’s 2019 short, with Dina Silva delivering a bloody, chaotic performance in a fractured, gore-heavy feature.
Oct 102 min read
Grimmfest 2025 Review: Syphon — Tom Botchii’s Suburban Thriller Explores Human Horror
Tom Botchii’s Syphon at Fantastic Fest 2025 dives into obsession, grief, and violence with shades of Blue Ruin, but struggles with pacing and payoff.
Oct 102 min read
Beyond Fest at American Cinematheque 2025 Review: Shelby Oaks
At Beyond Fest 2025, Chris Stuckmann’s Shelby Oaks delivers an ambitious, atmospheric debut that mixes found footage with supernatural mystery.
Oct 32 min read
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