Rose of Nevada Trailer: Mark Jenkin Returns With Haunting Time-Bending Mystery
- Horror Movies Uncut
- May 4
- 2 min read
‘Rose of Nevada’: Mark Jenkin Returns With Haunting Time-Bending Mystery Starring George MacKay and Callum Turner
There are filmmakers who follow trends—and then there are filmmakers who create their own language entirely. Mark Jenkin continues to operate firmly in the latter category.
After turning heads with Bait and the hypnotic Enys Men, Jenkin is back with Rose of Nevada, a genre-bending mystery that’s already building momentum following festival stops at Toronto International Film Festival, New York Film Festival, and the BFI London Film Festival. The film is set for a theatrical release on June 19, with NEON backing the project.
From the first trailer and official poster, Rose of Nevada looks exactly like what fans of Jenkin have come to expect—textured, disorienting, and deeply atmospheric. Shot on 16mm using a Bolex camera and built with fully constructed post-production sound, the film leans heavily into analog filmmaking techniques that give it a timeless, almost otherworldly quality. Watching a Jenkin film doesn’t feel like stepping into a story—it feels like being pulled into a different era entirely.
The film stars George MacKay and Callum Turner, two performers who continue to solidify themselves as some of the most compelling actors of their generation. MacKay plays Nick, a desperate family man looking for stability, while Turner’s Liam is a drifter carrying the weight of an unknown past.
The premise is deceptively simple—and perfectly suited for Jenkin’s sensibilities. Thirty years after a ship known as the Rose of Nevada vanished at sea along with its crew, it mysteriously returns to a struggling fishing village. The locals, desperate for hope, see the ship’s reappearance as a sign of renewal—believing their fortunes may change if it sails again.
But as expected in a Jenkin film, nothing unfolds cleanly.
After a successful voyage, the ship returns—but the world surrounding it is no longer the same. Time, memory, and reality begin to fracture, turning what starts as a story of economic survival into something far more unsettling.
Jenkin once again takes full creative control—writing, directing, editing, and composing the score—crafting what can best be described as a cinematic séance. This isn’t just a mystery; it’s a confrontation with the past, with place, and with the fragile nature of perception itself.
If Bait established Jenkin as a bold new voice and Enys Men confirmed his ability to build immersive, folk-horror-driven experiences, Rose of Nevada looks like the next evolution—a film that expands his thematic scope while staying rooted in the lo-fi, analog aesthetic that defines his work.
For audiences unfamiliar with his style, this won’t be a conventional watch. But for those already tapped into his wavelength, Rose of Nevada is shaping up to be one of the most distinctive releases of the year.
And if the early footage is any indication, Jenkin isn’t just making films—he’s building worlds that don’t quite let you leave once you’ve stepped inside.
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