Sundance Midnighter Mum, I’m Alien Pregnant Drops Unhinged Festival Clip Ahead of World Premiere

A first-look festival clip teases the chaotic, no-filter tone of Mum, I’m Alien Pregnant ahead of its Sundance Midnighters debut.

With its world premiere just days away, Mum, I’m Alien Pregnant is already making noise on the ground at Sundance Film Festival thanks to the release of a new official clip and teaser poster tied directly to its Midnighters debut.

This clip isn’t a random preview or post-festival curiosity — it’s part of the film’s official Sundance rollout, giving audiences an early taste of the tone THUNDERLIPS is bringing to Park City. The footage zeroes in on the film’s unapologetic voice immediately, opening with blunt, awkward, and deliberately uncomfortable dialogue that sets expectations fast. There’s explicit humor, awkward bodily conversation, and an introduction to the film’s two core emotional anchors, all delivered with a confidence that signals this movie knows exactly what it’s doing.

Rather than teasing spectacle or sci-fi mythology, the clip leans into character and discomfort. It frames the story through painfully honest, absurd exchanges that blur comedy and body horror in a way that feels lived-in rather than performative. The language is crude by design, the reactions are messy, and the humor lands because it’s grounded in social awkwardness, medical dismissal, and the kind of oversharing that only makes bad situations worse. It’s the kind of scene that dares the audience to either lean in or bow out early.

Paired with the teaser poster — which reinforces the film’s chaotic, confrontational energy — the clip functions as a clear statement of intent. This is not a restrained genre exercise or a novelty premise stretched thin. It’s a comedy body horror that uses shock and humor as entry points into something more personal and emotionally raw.

As a Midnighters title premiering Friday night, Mum, I’m Alien Pregnant is positioning itself exactly where it belongs: late, loud, divisive, and conversation-starting. If this clip is any indication, audiences heading into the screening should expect a film that wastes no time explaining itself — and has no interest in making anyone comfortable while doing so.